Robotic Process Automation (RPA) : Choose Your Process Wisely

The word "Process" within Robotic Process Automation (RPA) is very vital and utmost care should be taken and we should choose our process wisely. The right selection of the process determines the make or break of successful RPA implementation. The observation is RPA projects don't meet the Return Of Investment (ROI) expectations only due to the wrong choice in selection of the process.

With so much hype around RPA the customers or business leaders with limited awareness of RPA often end up selecting wrong process as part of their debut RPA implementation. The wrong choice of process doesn't yield them the expected ROI leaving them dejected. Looking at their lower ROI even other Business Leaders tend to loose the confidence in RPA implementation.

Choosing process wisely what does that mean. Let's first understand your key purpose or objective while doing RPA implementation and what is that you as a Business Leader want to achieve.

(a) Are you trying to introduce RPA only to reduce the employee head count?

(b) Are you looking forward to simplify or automate the process to increase productivity?

(c) Are you looking forward to automate only the complex process?

Before we can address these questions let us be clear in understanding what contributes in wrong selection of RPA process.

(a) If your process logic or business rules they keep on changing often with increasing regularity then such process does not fit to be a good candidate in RPA process selection. New business rules means re-configuration each time the business rules or logic changes.

(b) If your process has dependency on government or regulatory changes which do keep changing often then such process too won't yield the optimum ROI as far as RPA implementation goes.

(c) If your process has low volume of data or if your process selected is one that runs just once in a given year (E.g. Annual Appraisal of Employees) such process don't give the best ROI results or equate in man hours saving.

Before you get into the heart of the process understanding it would be ideal if we first do an Initial Process Assessment and determine which process fits the best with the above few pointers in mind.

Choose your process wisely - Those that are rule based, stable, having high volume data and where business rules don't change often.

Mera Naam Raj Kapoor by : Niilesh A Raje

Tribute to Late Raj Kapoor Ji the prolific Indian film actor, producer, director and the greatest showman of Indian Cinema on his 30th death anniversary today. Raj Kapoor Sahab dominated the Indian Film Industry with his good work with ease and poise.

While Raj Sahab called himself as a joker but for the hear-throb of the millions he was the Raju the common man next door. In show business where the stakes are high and pressure tremendous Late Raj Kapoor Ji went way ahead in his life to establish R K Studios, producing and directing some of the biggest box office hits in the history of Indian Cinema.

Amongst all of his movies I would like to share some interesting anecdotes from his movie "Bobby". Raj Kapoor Sahab at one point of time in his career was considered at par with the Almighty. Even the dust he tried to touch used to get converted into gold. But, after the release of "Mera Naam Joker" then next three to four years left Raj Saab under deep mental turmoil coupled with huge financial losses. Raj Sahab not only lost his parents during the said time but also lost his his dear friend and close associate Jaikishen Ji from the duo Shankar-Jaikishen.

But, as they say, "All it takes is one big success to wipe out all your previous failure". Same thing happened with Raj Kapoor Ji after the release of Bobby. Raj Sahab was inspired watching the 1970 Hollywood movie "Love Story" an American romantic drama film written by Erich Segal. Lover of Archie comics Raj Sahab went ahead to read the bestselling novel "Love Story" also written by the author Erich Segal before adapting it into a movie. The adage “Love Means Never Having To Say You’re Sorry” has been well said by the author Erich Segal in his enduring classic.

Neetu Singh was one of them aspiring for the role in the movie "Bobby". She did not get "Bobby" in reel life but got her "Bobby" in real life. Two new stars were born post the release of this movie one was Rishi Kapoor and other was Dimple Kapadia. In an interview Rishi Kapoor stated, "There was a misconception that the film was made to launch me as an actor. The film was actually made to pay the debts of Mera Naam Joker".

With Jaikishen having passed away the probability of doing the music with just one half of the team was something Raj Sahab wasn't convinced off. Music score for "Bobby" was finally done by the duo Laxmikant Pyarelal Ji. It is indeed creditable that Late Anand Bakshi Saab placed his stamp of creativity in "Bobby" with his prolific lyrics. 

"Bobby" became a sensational box office hit not only within India but also globally. "Bobby" restored the position of Late Raj Kapoor Ji within the industry once again in good sound and financial position. Raj Sahab became the biggest film maker and continues to remain the greatest showman of Indian Cinema.

Blackmail (Pal Pal Dil Ke Paas) : By ~ Niilesh A Raje

As we celebrate Poet's Day today (21 August 2017) I thought it’s time to pick up my pen and write what’s in my heart today and let my words keep flowing like a river. Writing that reflects one's inward state of mind.

I would like to pen down a short piece on this song, Pal Pal Dil Ke Pass from the 1973 movie Blackmail. A lovely romantic number casted on Dharmendra and Rakhee which still continues to soothe the ears of the music lovers. Voice of Kishore Kumar and his valley of emotions resonates straight from the heart.

Film maker Vijay Anand (Goldie Anand) was contemplating on his next project it was producer Vinod Doshi who felt it would be apt for Goldie to take up this new project as its director. Goldie was the leading director those days and Dharmendra was equally keen to work with Goldie the director of repute. Around the 70’s Dharmendra and Rakhee as a pair had worked together and became popular in the movie Jeevan Mrityu. Looking at their good work and growing popularity amongst the masses Goldie decided to have the same couple in his new project Blackmail.

Now that the cast was fixed Goldie decided to work on the song aspect in this film. Music composition in Blackmail was done by Kalyanji-Anandji. Rajendra Krishnan the richest writer in Hindi Cinema was the lyrics writer chosen to be part of this project. He was considered the richest writer reason being he had won a jackpot worth 4,600,000 rupees in horse racing which was indeed a huge amount then in the 70’s.

Having done all this Goldie now wanted one romantic song to be part of the project. He was already clear in his mind that he would shoot this song in the Queen of Hill Station namely Ooty. Independent luxury cottages peace and quiet and away from the hustle and bustle of the city.

Goldie had this situation in mind which he had told the lyricist and music director. Situation revolves around matters of heart where in the lead male star Dharmendra is unable of express his love to his lady love Rakhee due to his timid nature. How true the words in this song says it all, “Mein soch mein rehta hoon daar daar ke kheta hoon”. To express his love the man keeps writing love letters daily to his lady love.

However, his shy nature does not give him the courage to post these letters to his lady love. One day he (Dharmendra) gathers courage takes all these letters and showers in the lap of his lady love (Rakhee). His lady love reads all these letters written to her by her admirer and that’s when the romantic number unfolds with passage of time.

The creative direction by Goldie is evident if you see the flow of the letters and eventually the courage gathered by the lover. First letter states, Priya(Dear) Miss Mehta. Second, Priya(Dear) Asha Ji. Third, Priya (Dear) Asha. Fourth, Asha and the fifth one finally says it all, Meri Asha. Goldie wanted these letters to sing the song in the movie Blackmail. How to make the letters sing in the given situation was something even the music directors were not getting the pulse right initially.

Many days were spend on composing the tune but nothing seems to be working out in the positive direction. Goldie had planned his dates to shoot this song in Ooty. A night before going to Ooty Goldie sat down with Kalyanji-Anandji. Morning turns into afternoon, afternoon into evening and evening into night but still nothing was seen working positively as expected as far as musical compositions went.

It was here Goldie suggested how about these words, “Pal Pal Dil Ke Pass Tum Raheti Ho. Jeevan Mithi Pyas Ye Kheti Ho”. Immediately tune was created revolving around these words. Next day before departure to Ooty Goldie sat down with both Kalyanji-Anandji and lyrics writer Rajendra Krishnan. He told Rajendra Ji clearly that he is not a prolific poet as he is and also conveyed the words, “Pal Pal Dil Ke Pass Tum Raheti Ho” that came across in his mind a night before. Now whether to include it or drop these words is your final choice. Rajendra Ji was speechless but after given thought for a couple of hours came up with the wonderful lyrics for, “Pal Pal Dil Ke Pass Tum Raheti Ho”.  

Finally the song was ready with the words so was Goldie to depart to Ooty. What was pending was the recording of the song. Goldie being creative and genius person decided to go ahead with his shoot in Ooty for this song. The difference, he told Dharmendra just to lip sync the words as per the requirements of the song. Recording of the song in the studios is something Goldie decided to do it after his arrival from Ooty. Also, Dharmendra being busy and Rakhee being pregnant getting mutual dates wasn’t easy. But the creativity of the director Vijay Anand (Goldie) had the romantic pot finally in place after overcoming all the obstacles. The song, “Pal Pal Dil Ke Pass Tum Raheti Ho” is so popular even today that it’s difficult to believe that the shooting of this song took place first and recording of the song later.

Not to forget as I mentioned in the beginning today (21 August 2017) is Poet’s Day. Time to pick up the pen and write what’s in the heart today and let the words keep flowing like a river.

Happy Poet’s Day . . .          

        

      

         

      

      

SHOLAY : 42 Years Epitome of Box Office Success by Niilesh A Raje

Forty-two years ago on this date, 15th August movie “SHOLAY” was released which till date has proved to be indeed a defining moment in the history of Indian Cinema. The greatest story ever told. Out of the many songs featured in this movie, I would love to pen down short piece on this toe tapping number from the movie namely, “Mehbooba Mehbooba”.

Just before the start of this gypsy number is the climax and electrifying dialogue from Sanjeev Kumar (Thakur), “Ye Heera Gabbar Ko Badukein Aur Goliyan Bhejne Ata Hai. Ek Do Din Mein Gabbar Use Jaroor Milega. Loha Garam Hai Mar Do Hatoda”. 

While R D Burman composed the songs for the movie the lyrics were penned down by Bakshi Saab (Anand Bakshi), “Phool Bahaaron Se Nikla, Chaand Sitaaron Se Nikla Din Dooba”. Song was sung by the music composer himself R D Burman that later gave him a good identity as the lead singer.  

It was planned for a five-day shoot for which sets were constructed and the shooting location for the song was none other than R K Studio at Chembur. Screenplay writer Salim Saab used to drop in between during the shoot of this song. Yes, matters of the heart speak and we see Helen play a pivotal role in this super hit song.

Actor Jalal Agha played the role of the gypsy singer opposite Helen. In the song actor, Helen has played her role well where she is seen neither speaking nor singing anything in the song in front of the ruthless Gabbar Singh. 

Shooting scheduled dates were already communicated to Jalal Agha in advance but it’s learnt that he failed to report on day one of his shoot as he was out of station working on other assignment. Ramesh Sippy was obviously upset and decided to go ahead and complete the solo shots with Helen required in this song. Ramesh Sippy had made up his mind to do the role himself in an unlikely event if Jalal Agha did not report on the second day for the shooting. He did report on the next day and we see him wearing European gypsy costume playing the mandolin.

The song was indeed toe tapping however the curiosity and thrill amongst the masses in this song being Jai and Veeru seen in the background who are preparing for an explosion within the vicinity of Gabbar Singh.

R D Burman was later seen as plagiarist for using the tune of Demis Roussos’s, “Say you love me” in the song “Mehbooba Mehbooba”. The reality being the tune was indeed recommended to Pancham Da by Ramesh Sippy only who had heard this song earlier at his brother’s home and developed instant liking towards its tune.

Its forty two years now since SHOLAY was released both the movie and songs still continue to be the epitome of box office success.

The veteran lyricist of this song Bakshi Saab (Anand Bakshi) went way ahead with the same word "Mehbooba" and two years later post release of Sholay in the year 1977 came up with another lovely number from movie "Dharam Veer", "O meri mehbooba mehbooba mehbooba tujhe jaana hai toh jaa teri marji mera kya".

  

36 Years “Silsila” ~ by Niilesh A Raje

14th August 2017 completes 36 years for the release of Amitabh Bachchan Ji's movie 'Silsila' (The Affair, 1981).  The advertisement proclaimed boldly, “Love is faith and faith is forever”. The movie was controversial right from the beginning much before its release date especially with extra marital themes addressed boldly by Yash Ji in his film.

The original cast was Padmini Kolhapure but it did not work out as she was tight on time with her dates and availability. Then next choice then made was Parveen Babi and Smita Patil.  Both were not considered apt for the roles and were eventually dropped from the choice list.

The film witnessed average business at box office and was trashed by the media then as 'silly sila'. However, today's age the film has gained a strong cult and is considered to be classic. The movie's soundtrack became "super-hit" upon the release and still continues to be equally popular.

Silsila was shot in Yash Ji’s house in Kashmir, Delhi and Netherlands. Netherlands is another beautiful country in Europe, where the evergreen song ‘Dekha Ek Khwab’ featuring Amitabh Bachchan and Rekha was shot.

“Dekha Ek Khwab To Ye Silsile Hue” the popular song from the movie is also the first Hindi Film song release written by Javed Akhtar after the duo Salim-Javed split. Tunes were composed by Shiv Hari. It is learned that Javed Saab ended up spending one full day with composers and words started flowing like a river end result was a musical hit song. 

The song was shot at Keukenhof Tulip Garden, Netherlands giving more power to the lyrics "Dur Tak Nigahon Mein Hai Gul Khile Huye" with Keukenhof. Keukenhof (Kitchen garden) is also known as the Garden of Europe, and is situated near Lisse, Netherlands, and is the world’s largest flower garden. Several hit movies and songs from our Indian Film Industry have been shot here. The costumes worn by Amitabh Bachchan in the movie were his own clothes.

Yash Ji's choice of lyricist had always been Sahir Ludhianvi and he was his obvious choice when it came to “Silsila”. He never replaced Sahir with anyone else until Sahir passed away. It is learned that Yash Ji had requested Sahir Saab to write all the songs for the movie within five days. Sahir Saab said, "He would give all the required songs after a span of two weeks only and not a minute before". He did not understand the obvious reason why this rush in delivering it within next five days. The reason, the music director was busy post seven days and Lata Mangeshkar Ji was travelling abroad for 10 days. Yash Ji’s recording staff had kept the pot in place for whatever was required to complete the recording.

Sahir Saab was deeply hurt as he felt his very own viewpoints were not considered at all even while the recording dates were being planned by Yash Ji. He bluntly refused to write any songs for the movie “Silsila”. Yash Ji tried to convince Sahir Saab there were many lyricists ready to write all the songs within two days but he still wanted him only to write all the songs. Sahir Saab said, “In that case, he should go with other lyricists and have the songs written from them”. The end result was an abrupt end of this long professional relationship they both shared over a decade. To sum it up I would quote this song from the movie “Silsila” here, “Yeh Kahaan Aa Gaye Hum Yunhi Saath Saath Chaltey”. “Love is faith and faith is forever”.   

35 years of 'KHUD-DAAR’ : by Niilesh A Raje

Thirty-five years of release for Amitabh Bachchan's movie "Khud-Daar" (1982). "Khud-Daar" was released around the same time when Amitabh Bachchan was admitted to Breach Candy Hospital (Mumbai) after he met an accident on the sets of "Coolie". The same year 1982 also witnessed the release of four other movies starring Amitabh Bachchan namely, "Namak Halaal", "Shakti", "Satte Pe Satta", and "Desh Premee". "Khud-Daar" movie performed extremely well at the box office and also turned out to be a musical hit. Lyrics were penned down by the prolific lyrics writer Late Majrooh Sultanpuri and music was by Rajesh Roshan. Two songs from this movie I would like to amplify here in my piece:

In the song "Mach Gaya Shor Sari Nagri Re" Amitabh Bachchan plays the main character in the small neighborhood and is seen climbing up the human pyramid to reach the top and then breaking the Dahi handi. The song was shot over several days a little away from Powai at Mumbai's Chandivili Studio.

Usually, the Dahi handi is broken by the hands of the individual who has climbed way up to the top. But, to add some thrill to the dance sequence the dance director instructed Amitabh Ji that he smash the handi with his head and not with his hands. Amitabh Ji true to his words went ahead and was successful in breaking the handi with his head but also ended up hurting himself and smashed his head too. His forehead was hurt and blood was seen oozing out. Everyone on the sets got apprehensive and suggested that they wrap up the shoot and have Amitabh Ji admitted in the infirmary at the earliest. However, Amitabh Bachchan got straight into his car and drove off to meet Dr. Shah who was then the Film Industry's family doctor. In his clinic, he stitched and taped Amitabh Bachchan and he was once again back to the studio within no time to resume his shooting with brimming confidence coupled with greater applause from the whole crew on the sets.

The crucial dates and time of the stars coupled with the expenses involved in film making nothing could be compromised then. Amitabh Ji was working double shifts those days (7 am to 2 pm and 2 pm to 10 pm). "Khud-Daar" was scheduled for the morning shift. After completing the shoot for the day in the afternoon he went to Mehboob Studio at Bandra to complete the shoot for Manmohan Desai's "Desh Premi". The passion and pride showcased by Amitabh Ji in his chosen craft is incredible and the justice he gives to the whole crew with whom his work is associated. Even today after 35 years post release of "Khud-Daar" when ever it's Janmashtami we can hear the song, Mach Gaya Shor Sari Nagri Re"  being played loudly. 

The other song from "Khud-Daar" movie was, "Angrezi Mein Khete Hai Ki I Love You" another powerful lyric from Late Majrooh Saab. If there was a musical hit given by the duo Rajesh Roshan and Majrooh Sultanpuri after the success of "Kunwara Baap" then it has to be the movie "Khud-Daar". Majrooh Saab was well known for his creative imagination and dexterity over different languages (Angrezi, Gujarati, Bengali and Punjabi). The same was effectively leveraged by Majrooh Saab in the song, "Angrezi Mein Khete Hai Ki I Love You"

Aashiqui Twenty Seven Years A Journey That Was : by ~ Niilesh A Raje

Twenty-seven years the journey that was when Gulshan Kumar along with Mahesh Bhatt presented the musical rage Aashiqui. The curiosity of this romantic movie started right from the time the poster was released. The way the couple was seen to be making love passionately under the coat and smooching each other followed by the tagline "Love Makes Life Live". Even today after almost over two decades the love story of Rahul Roy and the dusky girl from Delhi Anu Aggarwal still resonates fresh in the hearts of the lovers. 

Aashiqui was the love story of youthful love between a homeless parentless orphan girl (Anu Aggarwal) and a singer guitarist (Rahul Roy). The venue was Sea Rock Hotel, Bandra a common friend's luncheon that Anu chanced to meet the director Mahesh Bhatt of Aashiqui. 

Anu wasn't too keen to get into movies her only aim then was to fly back to Paris. Each time Mahesh used to call her Anu used to reply, "I will call you back". Finally, when Anu went to meet Mahesh Bhatt couple of days later at his shoot location she politely declined the offer as she had to return back to Paris before the next season of haute-couture begins. Pat came the reply from Mahesh Bhatt, "We will complete the shoot in three months". This response was like, "There’s many a slip twixt the cup and the lip". 

The next day, in an old house in Chimbai Village in Bandra, Anu lip-synched the song - "Jaane jigar jaane man . . . jaanam jaane jahan". Chimbai, the 400-year-old beach in Mumbai was once a quaint fishing village. Rahul Roy and Anu Aggarwal who came from nowhere became the talk of the town. Even the signature style of actor Deepak Tijori became a rage. Not to forget the hair style of Rahul Roy. It looked as if the masses had accepted this new theme of love namely Aashiqui. People were able to connect to them as the cast was seen to be somewhere from daily walks of life. Apart from the great story line was the haunting music that captivated the ears of many music lovers. Having good songs in a movie can alone make the movie hit looked to be a distant dream for many film makers then. Aashiqui had indeed a good storyline as well.

Aashiqui was actually as inspiration from the personal life of Mahesh Bhatt. "I couldn't forget the day when Gulshan Kumar came to me and he lived up to his words. He was an unusual man". I was shooting in the suburbs when Gulshan Ji approached Mahesh Bhatt and said, "Aap Ka Naam Mahesh Hai Na. Will it be ok if you and I work together in synergy towards a musical film in which there would be roughly about 8 or 9 songs I guarantee you we together would set the nation a blaze. I would take the music into every home and heart. Gulshan Kumar came from nowhere but he could take a thousand MBA Graduates and teach them lessons in Management. Aashiqui was launched in Sudeep Studio in Mumbai" admits Mahesh Bhatt.

Director Mahesh Bhatt wasn't apprehensive taking new entrant like Rahul Roy or Anu Aggarwal. Right after his first take with Anu, he said, "Ok" happily. That only shows the creative confidence of the director. It was, "Love In The Times of Cholera" book by Gabriel Garcia Marquez that really helped Anu Aggarwal study and prepare well for the role. 

The film also marked the career of singer Kumar Sanu and music composers Nadeem-Shravan. The first song that got recorded was, "Nazar Ke Saamne Jigar Ke Pass".  The movie swept away with four Filmfare awards to its credit. 

Nadeem Shravan (Filmfare Award for Best Music Director) 

Kumar Sanu (for "Ab Tere Bin") Filmfare Award for Best Male Playback Singer

Anuradha Paudwal (for "Nazar Ke Saamne") Filmfare Award for Best Female Playback Singer and 

Sameer (for "Nazar Ke Saamne") Filmfare Award for Best Lyricist

Starting with the movie Aashiqui Kumar Sanu's career took him to exalted heights. He was awarded the Filmfare Best Male Playback Singer Award for five consecutive years. He also holds the Guinness Book world record for recording the most songs in a day, 28, in the year 1993.  

We also had seen the anger in the eyes of Tom Alter and Reema Lagoo playing their part equally well in the movie. Reema Lagoo began her journey with Mahesh Bhatt in the world of movies with Aashiqui in which she played the role of a single parent to Rahul Roy supporting her son in his matters of the heart. 

The letter from Anu to Rahul which read, "Rahul aagle shanivaar library ke baju wale classroom  mein milna 7:30 baje Anu" and the song follows, Dheere Dheere Se Meri Zindagi Mein Aana. Director Mahesh Bhatt reminisced how he used to meet his crush then when he was in Bombay Scottish School in the late 60's.     

Today's generation of songs may bore listeners after a week of their production whereas songs of Aashiqui have been soothing the ears of people for several decades. Not to forget the curtain opens up with the song only and the voice of Kumar Sanu, "Bas Ek Sanam Chaahiye Aashiqui Ke Liye" where the title of the movie comes in the first opening lines only.